FALL FREQUENCIES

FRIday, 24th OCTOBER 2025
STONE CIRCLE THEATRE - 7PM

@ Ridgewood Presbyterian Church

FORESHADOW | GAMELAN DHARMA SWARA
MAS BUDI STREET FOOD | BUNDA’S JAMU

Today’s program will be approximately 90 minutes with a brief intermission.

PROGRAM

FORESHADOW

DEVOUR THE MOON
2025
Score SYNESTHESIA, Joel Mellin 2012

- intermission -

GAMELAN DHARMA SWARA

PAGAR AYU
I Gusti Nyoman (Komin) Darta, Composer
Shoko Yamamuro, Choreographer
2024


NOR’EASTER
Joel Mellin, Composer 2018
Ilona Bito & Ndaru Kartikaningsih, Choreography 2025


REBONG
Gender Wayang Ensemble
Traditional


MERAK NGELO
Gender Wayang Ensemble
Traditional


BARIS
Traditional

PROGRAM NOTES

DEVOUR THE MOON

Scored to Synesthesia, a contemporary work for gamelan written by Jerome Fund Award-winning composer Joel Mellin, Foreshadow’s forthcoming short shadow play adapts the Hindu myths of Samudra Manthan and Kala Rahu. This epic tale unites the demons and gods in a cosmic tug-of-war to churn the nectar of immortality from the depths of the ocean. When the demon Kala Rahu steals a sip of the nectar, he is beheaded, and his immortal head flung into space, where it devours the moon in revenge, creating a lunar eclipse. Through overhead projector shadow puppetry and shadow mask, Foreshadow frames this myth as a bedtime story passed from grandmother to her grandkid in a land of present-day unrest. Exploring themes of universal oneness, transformation, and the interdependence of darkness and light, this psychedelic all-ages shadow play assures us that though the moon may be eclipsed, the light will always return.

Starring Gaby FeBland, Leah Levine, and Rosalind Lilly
Indonesian Translation by Putu Tangkas Adi Hiranmayena, Dewa Ayu Eka Putri, and Ida Bagus Anom Mandhara Giri
Sound Design by Jared Engel 
Metalworking Fabrication Assistance from Adenosine Art

PAGAR AYU

Co-created by Artist-in-Residence, Gusti Komin and longtime Balinese dance teacher and choreographer, Shoko Yamamuro, the traditional welcome piece to open a performance is reimagined. Works of this genre — typically in the female style — often focus on notions of reception and invitation alongside purification and blessing. This exploratory work will however, also consider the group's identity as New Yorkers performing Balinese arts via the lens of expatriate artists — with the vast majority in the ensemble not being ethnically Balinese, nor having spent time in Bali. Shifts in the concepts of gender, style, and movement are explored, with the artists drawing simultaneously from Balinese roots and the freedom afforded by their émigré experience, in an introspective and ultimately, celebratory work. The piece vibrates from deep, underground to soar high above in the sky, with ideas of aspiration, lightness and beauty alongside those of grittiness and toughness, work and preparedness. The co-creators worked remotely to each other (New York and California, respectively) to form a uniquely responsive piece to persona, distance and context. 

NOR’EASTER

A new work by American composer and Jerome Fund awardee Joel Mellin featuring original choreography by Dharma Swara dancers Ilona Bito and Ndaru Kartinganingsih. The piece is inspired by the awe and wonder embodied by a child immersed in the experience of a uniquely powerful—and North Atlantic—storm.

“The Nor’easter is a snow storm of extreme and damaging conditions, but when it’s gone, leaves blankets of glistening, white snow and the calmness that nature brings after difficult times. I see enduring this phenomenon as uniquely characteristic of growing up in New England, but there are parallels to life on the stormy island of Bali, Indonesia, where torrential storms are frequent. The storm is a universal metaphor for clashing styles, cultural exchange, and the unity that is created by melding seemingly disparate constructs.”

— Joel Mellin

GAMELAN GENDER WAYANG

Gender Wayang is an ancient style of gamelan music that often accompanies wayang (shadow puppet theatre) and most sacred Balinese Hindu rituals such as cremations and tooth filing ceremonies. The smallest of the gamelan ensembles, it requires only two players and is complete at four, the additional instruments doubling an octave above. It is considered to be the most complex music with elaborate kotekan (interlocking configurations) in both odd and even meters which must synchronise with their partner’s music. The hands are constantly playing contrapuntally. Damping is difficult and done with the outer part of the fourth and fifth fingers. The music has a resonating, shimmering and vibrating quality rich in overtones which is created by striking bronze keys with wooden mallets, all within the framework of pentatonic slendro tuning.

BARIS

The dance piece Baris references the ancient Balinese soldiers who protected the raja-raja (kings) and is a proud display of masculinity and fierceness. It is performed prior to ritualistic events as well as secular entertainment, and exemplifies a duality characteristic of Balinese dance: grand gestures complemented by intimate, choreographed eye movements. Baris demonstrates triumph in battle and the display of sublimity of a commanding presence.

ABOUT FORESHADOW

Foreshadow is an experimental shadow puppetry company whose work evokes the timeless mystery and wonder of a story told around a campfire. Co-founded by Gaby FeBland and Rosalind Lilly, who have been making theatre together in Brooklyn since they were eleven years old, Foreshadow has performed their fully-scored, macabre shadow plays at venues and events such as the La MaMa Puppet Festival, the Carnegie Hall Weimar Festival, Dixon Place, Green-Wood Cemetery, Puppet Showplace Theatre (Brookline, MA), Brick Aux, Coney Island U.S.A., and Jalopy Theatre. Their mythological thriller, The Spinner, was awarded a 2024 grant from the The Jim Henson Foundation and a residency at the Jim Henson Carriage House. Next up: The New York Nutcracker at Lincoln Center on December 18. @foreshadowpuppetry.co

ABOUT JOEL MELLIN

Joel Mellin is a Ridgewood, Queens-based multidisciplinary artist whose exploratory career has taken him from NASA space science engineering to studying with the musicians in the remote villages of Bali, Indonesia. He is a composer, musician, sound artist, installation artist, visual artist, and instrument builder.

While his work bridges disciplines and defies easy categorization, the same core principles run through-out:  curiosity, creativity,and  a deep understanding and commitment to process. He has developed immersive 3D sound environments to realize audio tornados, evolved language with genetic algorithms, scored thunderstorms, and developed innovative tools for deconstructing and reconstructing digital audio. In 2020 he founded the ambient psychedelic group, numün, with fellow Dharma Swara member Chris Romero and ambient country pioneer Bob Holmes (SUSS).

His work has been performed in the US at the Smithsonian Institute (DC), the Princeton Festival (NJ), the Chocolate Factory Theater, The Kitchen, Ronald Feldman Gallery, Hartwick College, Adelphi University, and the Gershwin Hotel (NY).  Internationally, his work has been performed in London (UK) and at the Dublin Fringe and Dublin Dance Festivals (IE). He has collaborated with the Nouveau Classical Project, Vivian Fung, the performance artists Faurot/Paulson, dancer/choreographer Jodi Melnick, The Liz Roche Dance Company, Adelphi University, and the Czech-based sound artist and instrument builder, Martin Janicek.

In 2025, Joel founded The Very Idea Studio as a creative production agency and studio to develop and prototype ideas—currently working on various light sculptures and musical instruments.

ABOUT GAMELAN DHARMA SWARA

Gamelan Dharma Swara—"a duty of perpetuating sound"—has built a reputation as one of the country’s most accomplished and groundbreaking ensembles. The group performs a spellbinding blend of iconic traditional pieces paired with bold contemporary compositions, spanning some 500 years, and has been called "thrilling, mesmerizing and powerful" (New York Times) and "sublime, receiving perhaps the weekend's most rapturous response" (The New Yorker).

The first non-Balinese gamelan invited to participate in the prestigious Bali Arts Festival, the group has toured Bali and performed at Lincoln Center at the invitation of The New York Philharmonic, BAM, MoMA, Central Park Summerstage, The Metropolitan Museum of Art, Brooklyn Museum, Symphony Space, The Asia Society, National Sawdust, Basilica Hudson, and at Yale, Princeton and Columbia Universities.

Dharma Swara has commissioned and premiered works by contemporary composers including leading Balinese composer Gusti Komin-who has worked with the group as artist-in-residence since 2017, and whose composition Sari Ing Kerta the group premiered in 2018-in addition to Joel Mellin (Synesthesia, 2012 world premiere), Nerissa Campbell (Legian 1983/Breathe My War, 2016), Matthew Welch (Bhima Swarga, 2006). The group has also performed works by many seminal Balinese composers, including Made Subandi's Kupu-Kupu Kuning (2011 US premiere) and Dewa Ketut Alit's Cecanangan and Geregel (2015 US premiere).

The group plays on instruments made by pande Made Sukerta in Bali in 2017, and combines the popular 20th century gong kebyar tuning (selisir, a five-tone scale) with the older seven-tone semar pagulingan (16th or 17th c.), making it possible to play a wide range of traditional and contemporary repertoire. Dharma Swara is proudly women-led, spearheaded by president/ugal player Victoria Lo Mellin and vice-president/dancer Miranda Danusugondo. Based in Queens, New York, the most diverse county in the US, the group maintains a commitment to its long-standing core values of celebrating community and promoting inclusion.

Gamelan Dharma Swara is a 501(c)(3) not-for-profit organisation operating under the legal name Arts Indonesia.

ABOUT GUSTI NYOMAN DARTA (GUSTI KOMIN)

Gusti Komin Darta is a musician, artist, and teacher from the village of Pengosekan, Bali. He has been hailed as a leading composer, performer, and teacher of Balinese music of his generation. He first studied music with his father, renowned musician Gusti Ketut Kerta, and began performing professionally for shadow puppet plays (wayang) at the age of 9, eventually enrolling at the prestigious national arts conservatory, now known as the Indonesian Institute for the Arts. Gusti Komin is a founding member of the virtuosic Balinese gamelan Çudamani and has toured extensively throughout Europe, Japan and the United States.

Gusti Komin currently performs and teaches widely along the U.S. east coast and is sought after as a composer, performer, and educator. He is Founding Director of the innovative chamber gamelan Saiban, and teaches at various American universities including MIT, as well as community-based groups such as Gamelan Galak Tika in Boston and Nusantara Arts Gamelan in Buffalo, and Gamelan Dharma Swara in NYC.

Widely acknowledged Master of gendér wayang, one of its foremost contemporary composers blending traditional and modern gamelan music in imaginative ways, exacting teacher and rebellious spirit, Komin writes music that explodes conventions and pushes limitations of even the strongest performers.

ARTIST-IN-RESIDENCE
I Gusti Nyoman (Komin) Darta

MUSICIANS
Stephanie Bruno Dixon
Oliver Budiardjo
Tom Burckhardt
Chris Canahui
Samir Chopra
Ari Dalbert
Paul Feitzinger
Charlie Gullion
Meesh Hauser
Victoria Lo Mellin
Annie McCutchan
José Mediavilla
Gary Meister
Joel Mellin
Kyle Miller
Vera Much
Christopher Romero
Samantha Simorangkir

DANCERS
Miranda Danusugondo
Ndaru Kartikaningsih
Sabrina Kiamilev
Verena Lee

FALL FREQUENCIES 2025
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